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Transparency Masters for Listen, seventh edition

It has always been the industry standard, set by makers of the optical scanners used to read answer sheets, that only No . 2 pencils be used to mark responses on the answer sheets . This ensures proper reading of the response ovals during the scoring process . Like other testing programs, E T S requires TOEIC test takers to use only No . 2 pencils to fill in the answer sheets . Other writing instruments, such as pens, are not permitted, as they can make the answers bleed over or stain the answer sheets in a way. | Transparency Masters for LISTEN SEVENTH EDITION Joseph Kerman and Gary Tomlinson CONTENTS No. Title Page s UNIT I Fundamentals 1 Listening Chart 1 Wagner Prelude to The Valkyrie 5 2 Listening Exercise 1 Rhythm Meter and Syncopation 10 3 Listening Exercise 2 Rhythm Meter and Tempo 11 4 Listening Exercise 3 Pitch and Dynamics 13 5 Orchestral Seating Plan 21 6 Listening Exercise 4 The Orchestra in Action 22 7 Diatonic and Chromatic Scales 28 8 Listening Exercise 5 Melody and Tune 31 9 Listening Exercise 6 Texture 35 10 Major and Minor Modes 36 11 Listening Exercise 7 Mode and Key 38 12 Listening Exercise 8 Musical Form 42 13a-b Listening Chart 2 Britten The Young Person s Guide to the Orchestra UNIT II Early Music An Overview 45 14 The Medieval Modes 51 15 Plainchant In paradisum 52 16 Hildegard of Bingen Columba aspexit 53 17 Bernart de Ventadorn La dousa votz 55 18 Pérotin Alleluia. Diffusa est gratia 59 19 Machaut Dame de qui toute ma joie vient first stanza 61 20 Dufay Ave maris stella 67 21 Josquin Pange lingua Mass Kyrie from the Gloria 71-72 22 Map Dispersion of the High Renaissance Style 74 23 Josquin Mille regrets 74 24 Palestrina Pope Marcellus Mass from the Gloria 76 25 Gabrieli O magnum mysterium 86 26a-b Monteverdi The Coronation of Poppea from Act I 91 27 Purcell Dido and Aeneas Act III final scene UNIT III The Eighteenth Century 94 28 The Basic and Festive Baroque Orchestras 114 29 Ritornello Form 121 30 Listening Chart 3 Vivaldi Violin Concerto in G first movement 122 31 Listening Chart 4 Vivaldi Violin Concerto in G second movement 126 32a-b Listening Chart 5 Bach Brandenburg Concerto No. 5 I 129 33 Fugue Form 132 i 34 Listening Chart 6 Bach The Well-Tempered Clavier Book 1 Fugue in C Major 135 35 Handel Julius Caesar La giustizia 144 36 Handel Messiah There were shepherds Glory to God 147 37 Handel Messiah Hallelujah Chorus 148 38 Bach Cantata No. 4 Christ lag in Todesbanden Stanzas 3 4 and 7 152 39 Map Centrality of Vienna in the Classical Period .