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An Audio-Haptic Aesthetic Framework Influenced by Visual Theory

There is a conflict, a struggle in everyone between these two directions. One solution is to try to put aside reality: have contempt for it. Two very common ways people have contempt are: We can either fight with the world aggressively or run away from it into a world of our own that is more comforting. “Everybody,” wrote Mr. Siegel, “is to a degree icebound, and crippled, and stuck, and jammed, and shut in .What is it for a person to be free?” People of the arctic, like people outside the arctic, have not known entirely what it is to be free. For example, there is what. | An Audio-Haptic Aesthetic Framework Influenced by Visual Theory Angela Chang1 and Conor O Sullivan2 20 Ames St. Cambridge MA 02139 USA anjchang@media.mit.edu 2600 North nt Hinhway45 mS-175 LObtyville.IL 60048 USA Conor . o sullivan@motorV.il. worn Abstract. Sound is touch at a distance. The vibrationof pressure waves mthe air creates sounds that our ears hear at close range these pressure waves may also be felt as vibration. This audio-hapticoelhtionshiphat poSeniialforenrich-ing interaction in human-computer interfacea.Howcaninterfamdesigners manipulate attention using audio-haetio mhdiaf Wn propiosh atheorptical tbii ceptual framework for design of audio-Oaptia media nrf e redb ae fl c frameworks in visual theory and audio design. The aesthetic issues of the multimodal interplay between audio and haptic modalities are presented with discussion based on anecdntes from he.lUkiinlie artiste. We ure theaoithetic It x ef to develop four design mecnanismafor irmeiaton beiween andto and haptic channels synchronization Pempornl lihparieation maakieg nnilsynchreeis. Ar example composition usmg thnte otoKioNm. aed the melt.tc. n design intent is discussed by ded a nw . Keywords Audio-haptin multimodal hngri t musical expaessivilp mobile interaction synchroniz on hnePrizatioU maskmg synchresis. 1 Introduction We live in a world rich withvibroinctUninfosmatinn. Tfd yữ around US vibrates seemingly imperceptibly all the time. We rarely notice the wind moving against our bodies the texture of clothes the reverberation hasparn nisi de acbirch.Wtenwestitiroun1 a conference table our hands d e ine end aianamll.atlIfel.ioilfl.o emphashd whnt ed bnuig said or attract attention to the movements of other participants. These sensations are felt by our skin a background symphony of subtle information that enriches our perception of the world around US . In contrast products like the LG Prada phone 22 and the Apple iPhone 1 provide little tactile feedback figure I-.IUcio matrtu .