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Curiously enough, in the events which have taken place in the last few years in our "great outside world," we may find incidents so marvelous and inspiring that I cannot hope to equal them with stories of The Land of Oz. turned over to studio assistants to be cast in plaster or bronze or carved in marble. Neoclassical sculptors seldom held a mallet or chisel in their own hands, readily conceding that the assistants they employed were far better than they were at carving the finished marble. | Test 1 Question 1-8 With Robert Laurent and William Zorach direct carving enters into the story of modern sculpture in the United States. Direct carving in which the sculptors themselves carve stone or wood with mallet and chisel must be recognized as Line something more than just a technique. Implicit in it is an aesthetic principle as well 5 that the medium has certain qualities of beauty and expressiveness with which sculptors must bring their own aesthetic sensibilities into harmony. For example sometimes the shape or veining in a piece of stone or wood suggests perhaps even dictates not only the ultimate form but even the subject matter. The technique of direct carving was a break with the nineteenth-century tradition in 10 which the making of a clay model was considered the creative act and the work was then turned over to studio assistants to be cast in plaster or bronze or carved in marble. Neoclassical sculptors seldom held a mallet or chisel in their own hands readily conceding that the assistants they employed were far better than they were at carving the finished marble. 15 With the turn-of-the-century Crafts movement and the discovery of nontraditional sources of inspiration such as wooden African figures and masks there arose a new urge for hands-on personal execution of art and an interaction with the medium. Even as early as the 1880 s and 1890 s nonconformist European artists were attempting direct carving. By the second decade of the twentieth century Americans Laurent 20 and Zorach most notably had adopted it as their primary means of working. Born in France Robert Laurent 1890-1970 was a prodigy who received his education in the United States. In 1905 he was sent to Paris as an apprentice to an art dealer and in the years that followed he witnessed the birth of Cubism discovered primitive art and learned the techniques of woodcarving from a frame maker. 25 Back in New York City by 1910 Laurent began carving pieces such as The Priestess which .