tailieunhanh - Báo cáo khoa học: "Developments in Affect Detection in E-drama"

We report work1 in progress on adding affect-detection to an existing program for virtual dramatic improvisation, monitored by a human director. To partially automate the directors’ functions, we have partially implemented the detection of emotions, etc. in users’ text input, by means of pattern-matching, robust parsing and some semantic analysis. The work also involves basic research into how affect is conveyed by metaphor. | Developments in Affect Detection in E-drama Li Zhang John A. Barnden Robert J. Hendley and Alan M. Wallington School of Computer Science University of Birmingham UK Abstract We report work1 in progress on adding affect-detection to an existing program for virtual dramatic improvisation monitored by a human director. To partially automate the directors functions we have partially implemented the detection of emotions etc. in users text input by means of pattern-matching robust parsing and some semantic analysis. The work also involves basic research into how affect is conveyed by metaphor. 1 Introduction Improvised drama and role-play are widely used in education counselling and conflict resolution. Researchers have explored frameworks for edrama in which virtual characters avatars interact under the control of human actors. The springboard for our research is an existing system edrama created by Hi8us Midlands Ltd used in schools for creative writing and teaching in various subjects. The experience suggests that e-drama helps students lose their usual inhibitions because of anonymity etc. In edrama characters are completely human-controlled their speeches textual in speech bubbles and their visual forms cartoon figures. The actors users are given a loose scenario within which to improvise but are at liberty to be creative. There is also a human director who constantly monitors the unfolding drama and can intervene by 1 This work is supported by grant RES-328-25-0009 from the ESRC under the ESrC EpSRC DTI PACCIT programme. We are grateful to Hi8us Midlands Ltd Maverick Television Ltd BT and our colleagues . Edmondson . Glasbey . Lee and Z. Wen. The work is also partially supported by EPSRC grant EP C538943 1. for example sending messages to actors or by introducing and controlling a minor bit-part character to interact with the main characters. But this places a heavy burden on directors especially if they are for example teachers and

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