tailieunhanh - BASED ON THE PLAY EVERYBODY GOES TO RICK'S

Institutions are responsible for providing ready access to reference material in print or electronic format (IR .). Program sites that have online reference materials are expected to provide access to residents. Typically, this means that residents have access to computers with internet access in rooms that are conveniently located and easily accessible but secure. If online access is not possible, then access to a collection of specialty-specific print materials is required. There may be additional specialty-specific requirements that could address resources such as space/equipment/support services for the educational activities of the program, resources for specific clinical activities, or. | C A S A B L A N C A Released 1942 Studio Warner Bros. Running Time 102 minutes Director Michael Curtiz Producers Hal B. Wallis Jack L. Warner Screenplay Julius J. Epstein Philip G. Epstein Howard Koch Based on the play EVERYBODY GOES TO RICK S by Murray Burnett Joan Alison When production began the script was only half completed near the end of production the script was literally being written the night before and in the final days of filming the dialogue for some scenes was written while shooting was actually in progress and then rushed to the set. Dialogue for the final seconds of the film was even added well after production had been completed. It is therefore accurate to say that no complete production script for Casablanca exists. The script that follows is therefore a synthesis of extant versions of the shooting script the continuity script and a close analysis of the finished film. 1. FADE IN INSERT - A revolving globe. When it stops revolving it turns briefly into a contour map of Europe then into a flat map. Superimposed over this map are scenes of refugees fleeing from all sections of Europe by foot wagon auto and boat and all converging upon one point on the tip of Africa -- Casablanca. Arrows on the map illustrate the routes taken as the voice of a NARRATOR describes the migration. NARRATOR . With the coming of the Second World War many eyes in imprisoned Europe turned hopefully or desperately toward the freedom of the Americas. Lisbon became the great embarkation point. But not everybody could get to Lisbon directly and so a tortuous roundabout refugee trail sprang up. Paris to Marseilles across the Mediterranean to Oran then by train or auto or foot across the rim of Africa to Casablanca in French Morocco. Here the fortunate ones through money or influence or luck might obtain exit visas and scurry to Lisbon and from Lisbon to the New World. But the others wait in Casablanca -- and wait -- and wait -- and wait. The narrator s voice fade away. CUT .