tailieunhanh - Helpful Hints for Clean-Up

Graphic and Web Design These courses focus on design concepts / theory and computer-related skills that are applicable to the print and web design industry. The curriculum is under close advisement from industry contacts to ensure students are equipped with skills and practices that are current. Students build and polish a professional digital or web-based portfolio demonstrating a thorough understanding of design and marketing concepts, communication aesthetics, creative process, and proficiency in computer-based tools. Courses will prepare students for transfer to a four-year college or employ-ment opportunities within the design industry. Employers in-clude publication and book design, graphic design studios, government agencies, in-house design departments, or self-employment | Helpful Hints for Clean-Up Tips you can learn from almost any experienced clean-up artist - Inbetweener or Assistant. Author Jennifer Gwynne Oliver Artists Philo Barnhart Jennifer Gwynne Oliver 1 PDF provided by Part One Drawing for Animation Construction Done in Red or Blue or whatever color the xerox or digital scanning process can ignore Even though it s a cartoon think of it as having a skeleton and muscle - not just an assemblage of lines When starting a new character read over available model sheets - noting any formulas ie Mickey is 3 heads high Mcleaches eyes are one eye width apart Bernards are 1 1 2 . If you have time go over the model sheets and draw the character s basic construction see illustration . This will help to familiarize you with the character s proportions. Draw through shapes - objects. Watch the ends of your lines they determine the entire shape. Draw through both connecting shapes and solid objects feel the form as you draw . Simplify Avoid Parallels and twinning they create stiff flat drawings. Avoid tangents - they fool the eye into seeing unintended shapes. They also cause individual shapes to blend into one another. Create a strong silhouette - If you blacked in the drawing would it still read Avoid ambiguity - the kinda sorta maybe that makes areas mushy and uncertain. Create a drawing that is solid not timid Avoid the sawtooth effect and monotonous lines. Vary clumps of hair length of lines in clothing skin folds etc. Where s the focus Spend the most time and effort in the area s of focus ie The face - eyes especially or hands if they re involved in some business . Know where to put your money - You can speed up on fast action scenes but take your time on slow acting scenes and tracebacks. Perspective- Are you using overlap in the right places to create proper perspective One layout artist had the simplest perspective lesson around find your horizon line - what s above it is up - what s below it is down. So .

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