tailieunhanh - CHAPTER TwENTY ONE A BIOLOGICAL APPROACH TO A MODEL OF AESTHETIC ExPERIENCE OSHIN VARTANIAN AND MARcos NADAL

The connection between receptivity and intensely motivated activity is further established when we appreciate that an arcane definition of “pas- sion,” from the Latin “pati,” is suffering. Both passion and suffering mean to experience intensely while being acted upon by the world. It is to let something happen to oneself and to bear the weight of its conse- quences. Far from being destructive, passion and suffering are associated with heightened vitality and renewed life. . | Chapter Twenty One A Biological Approach to a Model OF Aesthetic Experience Oshin Vartanian and Marcos Nadal Recently Leder and colleagues 2004 introduced an information-processing model to account for aesthetic experience. This model breaks the computation of the aesthetic response into five stages associating each stage with a particular process of interest. In this paper we review results from recent neuroimaging studies of visual aesthetics to determine the extent to which they support this model. In addition we derive specific hypotheses from die model that remain to be tested at a biological level. We argue that because all the cognitive and emotional processes that comprise the model are instantiated in the brain one should in principle be able to test this model using biological methods. We conclude that the model is a promising framework within which to conduct such work on aesthetics. There is now general agreement that the aesthetic experience is the outcome of a complex interplay of cognitive and affective processes. Recently Leder and colleagues introduced an information-processing model to account for the interaction of various component processes in the computation of aesthetic experience Leder et al. 2004 2005 . Their model of aesthetic experience was described at the psychological level and unlike other models . Chatterjee 2003 was not designed to account for the biological underpinnings of aesthetic experience per se. Nevertheless the model of aesthetic experience has certain characteristics that make it amenable to neuroscientific investigation. Fừst it breaks the computation of the aesthetic response into various stages associating each stage with a particular process of interest. Because neuroscientists have studied those processes in contexts other than aesthetics rudimentary cortical maps of their neural correlates have begun to emerge. This feature allows one to test hypotheses about whether any particular process of interest isolated .

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