tailieunhanh - Báo cáo khoa học: "Graphic Linguistics and its Terminology"

DURING the past thirty years great advances have been made towards making the study of language a science, but leading linguists have been mainly concerned with spoken language. There has been a certain tendency to suggest that the study of written documents should always be subsidiary to that of some spoken idiom, or even that it is bound to be less scientific than that of spoken idioms, and perhaps not a proper part of "linguistics" at all. | Mechanical Translation July 1956 pp. 8-11 Graphic Linguistics and its Terminology R. A. Crossland DURING the past thirty years great advances have been made towards making the study of language a science but leading linguists have been mainly concerned with spoken language. There has been a certain tendency to suggest that the study of written documents should always be subsidiary to that of some spoken idiom or even that it is bound to be less scientific than that of spoken idioms and perhaps not a proper part of linguistics at These suggestions should be opposed. Linguistics should include the study of written languages as well as that of spoken the former study can and should be as scientific as the latter and it needs its own terminology which should be basically independent of that of the study of spoken languages. Much confusion and some mistrust if not antagonism among linguists would seem to have resulted from lack of agreed distinct terminologies for the two studies which might well be called respectively phonic and graphic or epigraphic The problems of graphic linguistics are probably best approached through consideration of what writing is. A script may be defined as a system of visual symbols whose purpose is to convey the thought of one individual or group to another. Writing is often treated as a means of representing a spoken utterance or utterances by visual symbols but this is not its primary purpose except where phonetic or phonemic transcription in linguistic work is concerned. Representation of actual contemplated or imagined utterance is a particular mecha nism for conveying meaning by graphic signals one whose convenience lies in the small number of signs required. The adoption of a particular form of it alphabetic writing in Western Europe has led to its being widely regarded as the normal and natural mechanism and some of those who have discussed the analysis of systems of writing have tended to write as if .

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