tailieunhanh - BOOKS: AESTHETIC AS SCIENCE OF EXPRESSION AND GENERAL LINGUISTIC

Our task in what follows will be to understand precisely how aesthetic experiences relate to aesthetic objects, but in such a way as to allow that experiences and objects may here intervolve, or may determine each other mutually. Witasek's approach to aesthetics is a constructive one, building up gradually from simple cases (from experiences and objects of the most primitive sort), to the point where he is in a position to deal also with those more complicated aesthetic structures which are characteristic of works of art. He begins. | AESTHETIC AS SCIENCE OF EXPRESSION AND GENERAL LINGUISTIC BENEDETTO CROCE BY DOUGLAS AINSLIE . OXON. 1909 THE AESTHETIC IS DEDICATED BY THE AUTHOR TO THE MEMORY OF HIS PARENTS PASQUALE AND LUISA SIPARI AND OF HIS SISTER MARIA NOTE I give here a close translation of the complete -Theory of Aesthetic. and in the Historical Summary with the consent of the author an abbreviation of the historical portion of the original work. CONTENTS INTRODUCTION THEORY I INTUITION AND EXPRESSION Intuitive knowledge-Its independence in respect to the intellectIntuition and perception-Intuition and the concepts of space and time-Intuition and sensation-Intuition and association-Intuition and representation-Intuition and expression-Illusions as to their difference-Identity of intuition and expression. PDF created by 1 II INTUITION AND ART Corollaries and explanations-Identity of art and of intuitive knowledge-No specific difference-No difference of intensity-Difference extensive and empirical-Artistic genius-Content and form in Aesthetic-Critique of the imitation of nature and of the artistic illusion-Critique of art conceived as a sentimental not a theoretic fact-The origin of Aesthetic and sentiment-Critique of the theory of Aesthetic senses-Unity and indivisibility of the work of art-Art as deliverer. III ART AND PHILOSOPHY Indissolubility of intellective and of intuitive knowledge-Critique of the negations of this thesis-Art and science-Content and form another meaning. Prose and poetry-The relation of first and second degree-Inexistence of other cognoscitive forms-Historicity-Identity and difference in respect of art-Historical criticism-Historical scepticism-Philosophy as perfect science. The so-called natural sciences and their limits-The phenomenon and the noumenon. IV HISTORICISM AND INTELLECTUALISM IN AESTHETIC Critique of the verisimilar and of naturalism-Critique of ideas in art of art as thesis and of the typical-Critique of the symbol and of the .