tailieunhanh - TOWARDS AN ANTHROPOLOGICAL CINEMA

The „man‟ as the saviour and the „woman‟ as the victim are also prominently seen in Hindi cinema discourse. The heroine is a damsel in distress who has to be rescued by the hero if she is in trouble. Scene after scene of heroes rescuing their ladies from the clutches of villains have been captured by the camera. In recently released Ra-One (2011), the film‟s poster clearly depicts the hero (Shahrukh Khan) carrying the leading lady, Kareena Kapoor in his arms. It builds up his image as her saviour, something which the films story too follows. The woman. | TOWARDS AN ANTHROPOLOGICAL CINEMA by JAY RUBY CENTER FOR VISUAL COMMUNICATION ethnographic@ A talk given at the 2008 Nordic Anthropological Film Association Meetings in Isafjorur Iceland June 6 2008 Abstract In the paper I propose a radical departure from how we perceive ethnographic film and suggest an alternative path for the production of moving images by anthropologists. I argue that anthropologists should relinquish the term ethnographic film to documentary filmmakers and embrace the term Anthropological Cinema to distinguish their attempts to visualize ethnography from the realist images of the exotic other produced by documentarians. In addition along with Biella and others I suggest that the production of digital multimedia ethnographies may be a way out of the limits that are possibly inherent in tradition filmic discourse. I illustrate this variety of new ethnography with my own recent work. 2 To begin let me quote something I wrote ten years ago This moral tale for anthropologists a fantasy in which an anthropological cinema exists - not documentaries about so-called ethnographic subjects but films designed by anthropologists to communicate their anthropological knowledge. It is a well-articulated genre distinct from the conceptual limitations of realist documentary and broadcast journalism. It borrows conventions and techniques from the whole of cinema - fiction documentary animation and experimental. A multitude of film styles vie for prominence - equal to the number of theoretical positions found in the field. There are general audience films produced for television as well as highly sophisticated works designed for professionals. While some films intended for a general audience are collaboratively made with professional filmmakers most are produced solely by professional anthropologists who use the medium to convey the results of their ethnographic studies and ethnological knowledge. University departments regularly teach the theory

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