tailieunhanh - SPRINGTIME DOR SOVIET CINEMA: RE/VIEWING THE 1960S

During the interval in which time series overlap, the British and French negative length was growing at roughly the same rates as the US one, until 1914. That war year constitutes a great discontinuity, and from then on European growth rates are different and far lower than US ones. At the same time, the average film length increased considerably, from eighty feet in 1897 to seven hundred feet in 1910 to three thousand feet in 1920. As a result, the total released length, which is the best indicator of production, increases more rapidly than the number released, in. | Springtime for Soviet Cinema Re Viewing the 1960s Edited by Alexander Prokhorov Translation by Dawn A. Seckler Designed by Petre Petrov Pittsburgh 2001 Editor s Note This booklet was prepared in conjunction with a retrospective of Soviet New Wave films screened at the Carnegie Museum of Art as part of the third annual Pittsburgh Russian Film Symposium in May-June 2001. You will find more information about the Pittsburgh Russian Film Symposium at our web site http The Pittsburgh Russian Film Symposium gratefully acknowledges its supporters the Ford Foundation the National Council for Eurasian and East European Studies University of Pittsburgh Carnegie Museum of Art Finnair Museum of Modern Art Anthology Film Archives NYC http and http . ru . Contents Introduction Alexander Prokhorov 5 The Unknown NewWave Soviet Cinema of the Sixties Alexander Prokhorov 7 Landscape with Hero Evgenii Margolit .

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