tailieunhanh - The cinema-cognition dialogue: a match made in brain

If the saturated phenomenon encompasses excessive phenomena, it can also account for extremely empty and poor phenomena. This process of inversion and turnaround between two extremes in perception is certainly due to the ‘negative’ qualities of Marion’s philosophy and of the French phenomenological new wave in general 4 . Poor phenomena become saturated into an equilibrium system between the empty and the full, the excess and the lack. If Bonfand underscores this particular process of phenomenological reduction in his chapter on Ozu and Mondrian, this turn-around is also the keystone of the two long essays on Antonioni (almost. | HYPOTHESIS AND THEORY ARTICLE published 04 September 2012 doi ữDWữũ@Tg to HUMAN NEUROSCIENCE The cinema-cognition dialogue a match made in brain Yadin Dudai Department of Neurobiology The Weizmann Institute of Science Rehovot Israel Edited by Idan Segev The Hebrew University of Jerusalem Israel Reviewed by Oliver C. Schultheiss Friedrich Alexander University Germany Uri Hasson Princeton University USA Correspondence Yadin Dudai Department of Neurobiology The Weizmann Institute of Science Rehovot 76100 Israel. e-mail That human evolution amalgamates biological and cultural change is taken as a given and that the interaction of brain body and culture is more reciprocal then initially thought becomes apparent as the science of evolution evolves Jablonka and Lamb 2005 . The contribution of science and technology to this evolutionary process is probably the first to come to mind. The biology of Homo sapiens permits and promotes the development of technologies and artefacts that enable us to sense and reach physical niches previously inaccessible. This extends our biological capabilities but is also expected to create selective pressures on these capabilities. The jury is yet out on the pace at which critical biological changes take place in evolution. There is no question however that the kinetics of technological and cultural change is much faster rendering the latter particularly important in the biography of the individual and the species alike. The capacity of art to enrich human capabilities is recurrently discussed by philosophers and critics . Arsitotle Poetics Richards 1925 Smith and Parks 1951 Gibbs 1994 . Yet less attention is commonly allotted to the role of the arts in the aforementioned ongoing evolutional tango. My position is that the art of cinema is particularly suited to explore the intriguing dialogue between art and the brain. Further in the following set of brief notes intended mainly to trigger

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