tailieunhanh - Ethics and Aesthetics Intersections in Iris Murdoch’s Philosophy

Considerations of a similar sort can be applied also, now, in relation to our experience of music. Here, too, it is phantasy-feelings which are involved as the presupposition of our (genuine) feelings of aesthetic pleasure. But the phantasy- feelings that are evoked by absolute music dispense with all presuppositions similar to those which one would find in a corresponding serious feeling: such phantasy-feelings are in this sense meaningless (are, as one might say, a matter of `pure will' - or of pure intoxication). Whoever is sad knows what he is sad about, and it is the thought of this. | Floora Ruokonen Ethics and Aesthetics Intersections in Iris Murdoch s Philosophy ISSN 1458-8331 ISBN 978-952-10-5118-0 paperback ISBN 978-952-10-5128-9 pdf Yliopistopaino HelSinki 2008 Contents Acknowledgements . 7 List of Publications . 9 List of Abbreviations . 11 I Introduction . 13 1. Preface . 13 2. Ethics and Aesthetics . 15 3. Earlier Studies of Murdoch s Philosophy and the Method of This Study . 21 4. Murdoch s Philosophy in a Few Broad Brush Strokes. 26 . Consciousness and Inner Experience . 28 . Will and Morality. 31 . The Idea of Perfection Murdochian Moral Realism . 38 . Imagination . 46 5. The Argument of the Thesis and Summaries of the Articles 51 6. Conclusions . 65 References . 67 II .

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