tailieunhanh - the animator s survival kit phần 3

Đây là một bảng điều khiển rất hữu ích. Cửa sổ công tác có thể được tách ra từ vị trí mặc định của nó ở phía bên phải của màn hình và cả hai được phép thả nổi hoặc dock ở phía bên trái. Để chức năng này để làm việc đúng, phải được cài đặt Windows Desktop Search (nó nằm trên SolidWorks CD-ROM) | Let s take our man going over to the blackboard again. What do I do first Answer The keys - the storytelling drawings or positions that have to be there to show what s happening. Put it where you can see it. so it reads. What do we do next Answer Any other drawings that have to be in the shot. Obviously he has to take steps to get over to the chalk - so we make the contact positions on the steps where the feet are just touching the ground. There s no weight on them yet - the heel is just contacting the ground. As with the fingers just contacting the chalk - they haven t closed on the chalk yet. If we act all this out we might find he takes five steps to get to the chalk and bend down. I notice that when I act it out I automatically pull up my left pant leg as I bend down then I put my hand on my knee before my other hand contacts the chalk. I would make an extreme where the hand just contacts the pant leg - before it pulls up the pants. These will be our extremes. We re working rough sketching things in lightly - although we probably have made rather good drawings of the keys. I haven t here because I m trying to keep it simple for clarity . 64 We could act it out timing the steps and putting numbers on the extremes or we could leave the numbering till later. I would probably put numbers on it now and test it on the video to see how the timing feels as his steps get shorter - and make any adjustments. What next We ll break it down lightly sketching in our passing positions or breakdowns . We won t get fancy about it now - the fancy stuff comes later in the book. For now we ll just make the head and body raise up slightly on the passing positions of the steps - like it does on a normal walk. Posiĩìou ăii 65 We d probably have numbers on the drawings by now and when we test it we ve got three or four positions for every second - so it s easy to see what our timing is. And to make any adjustments. And if the director wants to see how we re doing - it looks almost .