tailieunhanh - Villa Rotunda Redux - FAT for the 13th Architecture Biennale, Venice

Finally, specific maps for an ecosystem or beneficiary group of interest can also be generated. Such maps can show either 1) the parts of the landscape from which a given beneficiary’s benefits are derived, or 2) the beneficiary groups receiving benefits from a particular ecosystem region of interest (Johnson et al. unpublished). We have to date mapped only the spatial dynamics of carbon sequestration and storage, aesthetic views and aesthetic proximity. However, upcoming work will enable the mapping of a number of other ecosystem services, including aesthetic proximity value, flood regulation, soil retention, and the provision of food. Another forthcoming area. | Villa Rotunda Redux FAT for the 13th Architecture Biennale Venice Copy Paste On The Importance of Copying Historically copying was the means by which architecture disseminated language and culture into common use. Palladio s Four Books of Architecture 1570 Venice for example were explicit manuals published to be copied by other architects while at the same time synthesising an architectural language by copying antique architecture . Yet the copy has also became characterised as the enemy of progress an inauthentic pastiched and faked dead end of invention. The architectural copy can be schizophrenically characterised as the discipline s perfect and evil twin at once fundamental to architecture s mode and its nemesis. Yet there are other perhaps more productive ways of understanding the copy. Copying requires US to look closely at the subject we wish to replicate. The copy is a distillation of this information into material form producing a physical object that embodies a specific form of understanding. The manufacture of a copy is a project in and of itself separate from its source. Its drive for fidelity often requires entirely new armatures and technologies to be invented. Equally the desires that motivate the production of a copy rewrite the meaning of the object that is produced. Narratives of say love pride fear or joy become encoded into the substance of the replica. The copy can be both exactly the same as its original and radically different at one and the same time. Copying is dangerously fertile. Controls of intellectual property may attempt to protect against reproduction but in doing so they alter the life and influence of their subjects. But law does not prevent copying in the form of influence combining unrelated genomes into previously unimaginable entities. The architectural copy forces US to examine the world as it comes to US and to invent ways of manufacturing new versions of the world. Villa Rotunda its Copies From left Villa Almerico Capra .