tailieunhanh - creative photoshop digital illustration and art techniques - Phần 3

Điều này đặc biệt hữu ích khi lớp hình dạng của bạn có nhiều hơn một hình dạng và bạn muốn để di chuyển hình dạng độc lập với nhau. Tôi Trong thanh tùy chọn công cụ, chọn công cụ hình dạng elip và sau đó vô hiệu hóa các nút chainlink bằng cách nhấp vào nó, do đó màu sắc mới, chúng tôi lựa chọn các mẫu màu trên thanh tùy chọn công cụ là không áp dụng cho các lớp hình dạng hiện thời | Creative Photoshop Part 1 Drawing and Painting Starter file The image file needed to follow along with this chapter and create the featured illustration is available on the accompanying CD. This file can be found in the folder entitled chapter_05. 1 I Open up the file. This is the image we re going to use as the template for our illustration. Generally it is easier to see what you re doing when tracing if the image is less intense. Create a new solid color layer by choosing the solid color option from the create new fill or adjustment layer pop-up menu at the bottom of the layers palette. When the picker opens select white as your color from the picker and reduce opacity of the layer to 50 in the Layers palette. M Auto Add Delete 2 I Using a white layer as a translucent overlay is very similar to tracing in the real world by placing onionskin or tracing paper over top of your picture. It is a nice way to work without the background image becoming visually distracting. Select the pen tool and ensure that it is set to create paths not shape layers in the tool options bar. Enable the add to path area function and then draw a closed path component around the island masses in the background. m a Q Q O H 60 Tracing Photographs Chapter 5 3 I Do not trace every bump that is indicated by the image on the background layer. Create a smooth path that is indicative of the landmasses but simpler. With the path visible create another solid color layer. Choose black from the picker. Here you can see that by having the path active as we create the solid color layer that the path is converted to a vector mask which is automatically applied to the solid color layer. After this operation you ll notice that the pen tool is now set to create shape layers in the tool options bar. Creating solid color layers In addition to using the pop-up menu at the bottom of the layers palette to create a solid color layer you can use the main menu if that is what you prefer. Simply choose