tailieunhanh - Creative Photoshop CS4 Digital Illustration and Art Techniques - phần 10

Và cuối cùng, tạo ra một lớp điều chỉnh cấp, trong khi không có lựa chọn hiện tại hoạt động. Sử dụng đầu vào CMYK mức thanh trượt để làm sáng midtones và điểm nổi bật của các lớp phía dưới. Để làm nổi bật dòng công việc, chọn nhóm mạng lưới của bạn trong bảng Layers và kéo nó lên trên tất cả các lớp khác trong nhóm chính. | 19 Part Four Illustrative Photography 11 Reduce the opacity of your layer so that you can see the background through it. Select the Pen tool and then draw a path that will define the edge of the left side. Having the background partially visible as you work will aid you in making the shape of his left side look as if it belongs within the scene. When your path is closed choose Layer Vector Mask Current Path from the menu to clip the layer with your path. Ideally the best way to combine layers is to convert them to a smart object. That way everything remains editable. Although you can apply smart filters like Gaussian Blur to a smart object the liquify filter cannot be applied to smart object. That is why in this instance we ve merged all of the layers that make up the left side before the liquify filter was used. If you re worried about making a mistake duplicate your layer before using the filter. Keep the duplicate in the Layers palette with the visibility disabled. That way if you want to revert the layer to its original state at any point you have a backup copy. 12 Return the opacity of your layer to 100 and then duplicate it. Change the blending mode of the duplicate layer to overlay and duplicate it too. Change the blending mode of your second duplicate layer to screen and reduce the opacity to 38 . Hold down the Control PC Command Mac key and click on the layer s vector mask to load it as a selection. With this selection active create a new hue saturation adjustment layer. Set the hue to 6 the saturation to -39 and increase the lightness to 7. 384 19 Chapter 19 Representational Surrealism 13 Generate a selection from one of the vector masks attached to any layer that is used to make up his left side. Create a new layer at the top of the Layers palette. Select the Brush tool. In the Brushes palette choose a large soft round Brush Tip preset. Disable all dynamic functions except the Smoothness option. Sample a light skin color from an underlying layer and then