tailieunhanh - báo cáo hóa học:" Towards expressive musical robots: a cross-modal framework for emotional gesture, voice and music"

Tuyển tập báo cáo các nghiên cứu khoa học quốc tế ngành hóa học dành cho các bạn yêu hóa học tham khảo đề tài: Towards expressive musical robots: a cross-modal framework for emotional gesture, voice and music | EURASIP Journal on Audio Speech and Music Processing SpringerOpen0 This Provisional PDF corresponds to the article as it appeared upon acceptance. Fully formatted PDF and full text HTML versions will be made available soon. Towards expressive musical robots a cross-modal framework for emotional gesture voice and music EURASIP Journal on Audio Speech and Music Processing 2012 2012 3 doi 1687-4722-2012-3 Angelica Lim angelica@ Tetsuya Ogata ogata@ Hiroshi G Okuno okuno@ ISSN 1687-4722 Article type Research Submission date 16 April 2011 Acceptance date 17 January 2012 Publication date 17 January 2012 Article URL http content 2012 1 3 This peer-reviewed article was published immediately upon acceptance. It can be downloaded printed and distributed freely for any purposes see copyright notice below . For information about publishing your research in EURASIP ASMP go to http authors instructions For information about other SpringerOpen publications go to http 2012 Lim et al. licensee Springer. This is an open access article distributed under the terms of the Creative Commons Attribution License http licenses by which permits unrestricted use distribution and reproduction in any medium provided the original work is properly cited. Towards expressive musical robots a cross-modal framework for emotional gesture voice and music Angelica Lim Tetsuya Ogata and Hiroshi G Okuno Graduate School of Informatics Kyoto University Kyoto Japan Corresponding author angelica@ Email addresses TO ogata@ HGO okuno@ Abstract It has been long speculated that expression of emotions from different modalities have the same underlying code whether it be a dance step musical phrase or tone of voice. This is the first attempt to implement this theory across three modalities inspired by the .

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