tailieunhanh - Virtual Art From Illusion to Immersion phần 9

Của tại điều tra các vai trò thiết yếu của một lắp ráp, có thể cung cấp: • Một loại ranh giới • Một đường ranh giới phạm vi tài liệu tham khảo-• một đơn vị triển khai • một đơn vị thực hiện • Một phiên bản ranh giới • Một an ninh hội ranh giới là ranh giới Loại Trên hệ thống tập tin , | 9 Perspectives This book began by arguing that ingress into virtual image spaces of the computer which is now possible is not the revolutionary innovation its protagonists are fond of interpreting it to be. The idea of virtual reality only appears to be without a history in fact it rests firmly on historical art traditions which belong to a discontinuous movement of seeking illu-sionary image spaces. Although these were constrained by the specific media of the period and used to convey highly disparate content the idea stretches back at least as far as classical antiquity and is alive again today in the immersive visualization strategies of virtual reality art. I am certain that additional examples of the phenomena and problematic discussed here will have occurred to most readers which obviously could not all be covered here. This makes it abundantly clear how strongly the phenomenon of immersive spaces of illusion is anchored in the history of art. It is surprising that until now so little attention has been paid to it. Utilizing contemporary image techniques immersive art very often visualizes elements that can be described as Dionysian ecstatic transport and exhilaration. The images of this art form tolerate hardly any comparisons or image-immanent contradictions that might diminish the illusion. Immersive art often molds propagandistic messages conveyed by its images thus working specifically against distanced and critical reflection. Frequently it serves to bring about playful detachment and disinhibition in the observer however one may judge this and processes transforming consciousness may result. Aesthetic experience understood in the sense of the Cassirer-Warburg concept of thought space or theories of distance tends to be undermined by immersive strategies. The recurrent model follows the utopian notion of relocating the observer in the. image removing the distance to the image space intensifying the illusion and renewing the power exerted over the .

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