tailieunhanh - Sonic Art & Sound Design- P6

Sonic Art & Sound Design- P6:Sonic art is a new art form, or rather, forms. As we shall see, it can encompass a wide range of activities, perhaps wider than almost any other art form. It is an unusual case, based upon a medium that has traditionally been regarded as inferior and subservient to other creative or expressive forms. | A HISTORICAL PERSPECTIVE processed in all manner of ways and even simple multi-tracking became possible. These technologies joined with the advent of the radio station KDKA in Pittsburgh USA in 1920 and talking pictures The Jazz Singer in 1927 and between them provided the tools for an explosion of creative possibilities in sound art and ultimate tool however was the tape recorder which made its public debut at the Berlin Radio Fair in 1935. Until the widespread adoption of the computer as a means of recording and transforming sound in the latter years of the twentieth century this remained the primary resource for creative activities in sound. However not all sonic art or sound design activities required the tape recorder. An early example of radiophonic art was the 1938 radio dramatisation of book The War of the caused widespread panic throughout the United States as a result of its remarkable realism. Material created in a small radio studio was carefully crafted to create the illusion of live location reporting of an alien technologies used were simple by modern standards but the impact was dramatic and the widespread assumption that what was heard was real rather than a studio production only served to demonstrate the relationship between radio and its audience. In doing this it established at least one important component of the foundations of Mradiophonics the believability of radio. The director of this project Orson Welles was also a film director and unusually for the time made creative use of sound in his movies. Notably in his 1941 film Citizen Kane he employs a hollow echoing acoustic in a scene where the main character bemoans the emptiness of his world and elsewhere uses several layers of sound simultaneously. Welles continued to develop this interest in film sound in later works such as The Magnificent Ambersons. Although limited from the perspective of contemporary effects-laden productions we see here

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