tailieunhanh - Tài iệu Photoshop cs5 by Dayley part 74

Vẽ tranh với các công cụ trộn Các công cụ Brush Mixer là khác với tất cả các công cụ vẽ khác ở chỗ nó được thiết kế để trộn sơn brush với các điểm ảnh dưới đây để sản xuất càng gần của một hiệu ứng của việc sử dụng sơn thực nhất có thể. Các công cụ Brush Mixer là cực kỳ năng động và linh hoạt trong cách pha trộn sơn với các điểm ảnh dưới đây. | Chapter 16 Painting and Brushes FIGURE Using the Dodge and Burn tools you can use brushing techniques to darken highlights and brighten shadows. Burn Dodge Painting with mixing tools The Mixer Brush tool is different than all other painting tools in that it is designed to mix the paint in the brush with the pixels below to produce as close of an effect of using real paint as possible. The Mixer Brush tool is extremely dynamic and versatile in how it mixes the paint with the pixels below. The Mixer Brush tool lets you use paint from the color palette to mix paint into the image use a dry brush to mix the paint on the image set how much paint is applied to the brush and much more to make it as close to painting with actual wet paint on a physical medium. The Mixer Brush is available in the painting tools set in the Toolbox and can be selected by using Shift B to toggle through the painting tools. The following list describes some of the options in the Tool Options menu shown in Figure when the Mixer Brush tool is selected for descriptions of the other options not listed see the painting tools section earlier in this chapter 519 Part V Painting Paths Shapes and Text FIGURE Tool options for the mixer brush allow you to set the color and control the paint mix color and cleaning of the brush. Load Brush After Stroke Brush panel Presets Brush mode Brush Clean Brush After Stroke presets Load Control Color Color This displays the current paint that s loaded in the brush. This feature is critical when you are painting with wet paint so you can see what colors of paint will be applied with the brush strokes. The area in the center is the area of the brush at the tips that most affects the pixels. The area to the outside corresponds to the area of the bristles farthest from the tips and does not affect the pixels as much. When the brush is clean this displays a transparent pattern. When the brush is full of a single color this displays a solid color. When the