tailieunhanh - Real World Camera Raw with Adobe Photoshop CS- P6

Real World Camera Raw with Adobe Photoshop CS- P6: If you're reading this book because you want to be told that digital really is better than film, look elsewhere. Those discussions tend to generate a lot more heat thanlight, andifyouaren't at least contemplatingshootingdigital for some or all of your work, this book isn't relevant. | 132 Real World Camera Raw with Adobe Photoshop CS Working with saved settings subsets. Often I need to apply more individualized settings to each image so one of the first things I did when I first started working with Camera Raw was to save subsets of settings that I could apply to images. In addition to creatingCalibrate settings I ve created saved settingsfor exposureadjustmentsin increments and Brightness and Contrast adjustments in increments of 10 units see Figure 4-21. I ve played with saving White Balance adjustments but thus far I ve found them less useful because I usually need to adjust the Temperature and Tint controls interactively. But I almost invariablyshoot with available light. If you shoot in the studio under controlled lighting you may find it worthwhile to save White Balance settings too. See Saving Settings in Chapter 3 Using Camera Raw. Figure 4-21 Working Wh saved settings rhese settings are all saved as presets in Camera Raw s Presets folder. Each one updates a single parameter Exposure or Contrast. Obviously there s a trade-off between the number of settings you save and the ease with which you can find and apply them. f you create hundreds of subsets your Camera Raw Settings menu will become very long and unmanageable. After you ve spent some time applying settings from the F i e Browser it should be apparent which settings are really useful to you and exactly what trade-off you need to make between the number of saved settings and the usability of the Camera Raw Settings menu. The key to being productive when applying subsets is to apply them to all the images that need them simultaneously which boils down to selecting Chapter 4 The File Browser 133 images that all need thesame orvery similar treatment. For example Imay look for a ll the images that need a exposure boost then for the ones that need a half-stop and so on. The image thumbnailsand previews update to reflect the new settings so checking the preview at a .