tailieunhanh - LUYỆN ĐỌC TIẾNG ANH QUA CÁC TÁC PHẨM VĂN HỌC –TEN YEARS AFTER ALEXANDRE DUMAS CHAPTER 63

TEN YEARS AFTER ALEXANDRE DUMAS CHAPTER 63 Đây là một tác phẩm anh ngữ nổi tiếng với những từ vựng nâng cao chuyên ngành văn chương. Nhằm giúp các bạn yêu thich tiếng anh luyện tập và củng cố thêm kỹ năng đọc tiếng anh . | TEN YEARS AFTER ALEXANDRE DUMAS CHAPTER 63 Toby. Two hours after the superintendent s carriage had set off by Aramis s directions conveying them both towards Fontainebleau with the fleetness of the clouds the last breath of the tempest was hurrying across the face of heaven La Valliere was closeted in her own apartment with a simple muslin wrapper round her having just finished a slight repast which was placed upon a marble table. Suddenly the door was opened and a servant entered to announce M. Fouquet who had called to request permission to pay his respects to her. She made him repeat the message twice over for the poor girl only knew M. Fouquet by name and could not conceive what business she could possibly have with a superintendent of finances. However as he might represent the king - and after the conversation we have recorded it was very likely - she glanced at her mirror drew out still more the ringlets of her hair and desired him to be admitted. La Valliere could not however refrain from a certain feeling of uneasiness. A visit from the superintendent was not an ordinary event in the life of any woman attached to the court. Fouquet so notorious for his generosity his gallantry and his sensitive delicacy of feeling with regard to women generally had received more invitations than he had requested audiences. In many houses the presence of the superintendent had been significant of fortune in many hearts of love. Fouquet entered the apartment with a manner full of respect presenting himself with that ease and gracefulness of manner which was the distinctive characteristic of the men of eminence of that period and which at the present day seems no longer to be understood even through the interpretation of the portraits of the period in which the painter has endeavored to recall them to being. La Valliere acknowledged the ceremonious salutation which Fouquet addressed to her by a gentle inclination of the head and motioned him to a seat. But Fouquet with a bow