tailieunhanh - Lecture Jazz (Tenth edition) - Chapter 12: Free form, avant-garde

Free form and avant-garde is also known as free improvisation. Free jazz is not defined or constricted by harmonic or rhythmic forms like those prescribed by earlier jazz practices. The musical material for free improvisation originated from spontaneous composition rather than from a commonly known tune or predetermined melody. | Jazz Tenth Edition Chapter 12 PowerPoint by Sharon Ann Toman, 2004 Free Form, Avant-Garde Free Form is also known as: Free Improvisation Not defined by harmonic or rhythmic forms such as what was prescribed by earlier jazz practices The musical material for the free improvisation comes from an ad lib (played within reason) rather than from a commonly known tune Chapter 12 - Free Form, Avant-Garde Free Form, Avant-Garde This type of music can be compared to action or a nonrepresentational painting, such as a Jackson Pollock work Free-form jazz proves to be the fullest expression of spontaneous composition, and improvisation takes the dominant role Chapter 12 - Free Form, Avant-Garde Ornette Coleman (1930 - ) Saxophonist One of the most controversial free jazz players 1st known leader of the jazz avant-garde He initiated a controversy of strong, opposing opinions from many of the other established jazz leaders, including Miles Davis & Charles Mingus Chapter 12 - Free Form, . | Jazz Tenth Edition Chapter 12 PowerPoint by Sharon Ann Toman, 2004 Free Form, Avant-Garde Free Form is also known as: Free Improvisation Not defined by harmonic or rhythmic forms such as what was prescribed by earlier jazz practices The musical material for the free improvisation comes from an ad lib (played within reason) rather than from a commonly known tune Chapter 12 - Free Form, Avant-Garde Free Form, Avant-Garde This type of music can be compared to action or a nonrepresentational painting, such as a Jackson Pollock work Free-form jazz proves to be the fullest expression of spontaneous composition, and improvisation takes the dominant role Chapter 12 - Free Form, Avant-Garde Ornette Coleman (1930 - ) Saxophonist One of the most controversial free jazz players 1st known leader of the jazz avant-garde He initiated a controversy of strong, opposing opinions from many of the other established jazz leaders, including Miles Davis & Charles Mingus Chapter 12 - Free Form, Avant-Garde Ornette Coleman (1930 - ) 1st player to move all the way into harmonic freedom Approached the harmonic freedom through improvisation Had an extensive background in blues bands Chapter 12 - Free Form, Avant-Garde Cecil Taylor (1933 - ) Pianist Attended the New England Conservatory of Music His music is a fusion of classical compositional practices and jazz improvisations His music can be heard as either classical or jazz Chapter 12 - Free Form, Avant-Garde Cecil Taylor (1933 - ) Example: “Enter Evening” was recorded in 1966 It is an example of Taylor’s free-form style Use of oboe and bass clarinet is consistent with the third stream’s earlier use of traditionally classical instruments Free if harmony and meter but also free from many of the usual melodic jazz idioms Chapter 12 - Free Form, Avant-Garde Cecil Taylor (1933 - ) His music requires stamina from his listeners and players Long, uninterrupted compositions Chapter 12 - Free Form, Avant-Garde John .