tailieunhanh - Fantasic Figures - CONSTRUCTING BODIES GENERAL

If there is a part of dollmaking I dislike, it is making the body. With most of my dolls, which begin as a set of sculpted parts, I have to do something to hook all the parts together. However, the structure while in progress just doesn't thrill me, but the process must be done, and done well, because I know that the body and the movement of the piece can make or ruin the doll as a completed and successful piece. The greatest sculpture and the most fantastic costuming will not amount to anything if they are hung on. | CONSTRUCTING BODIES GENERAL If there is a part of dollmaking I dislike it is making the body. With most of my dolls which begin as a set of sculpted parts I have to do something to hook all the parts together. However the structure while in progress just doesn t thrill me but the process must be done and done well because I know that the body and the movement of the piece can make or ruin the doll as a completed and successful piece. The greatest sculpture and the most fantastic costuming will not amount to anything if they are hung on a poorly thought-out body. Notice that I did not say poorly constructed in this area as with all of dollmaking if you think it out well it will construct well. While you are sculpting you will have already made a decision about the body. Some of us are inclined to like sculpture and the beauty of the human form so we will create our dolls to show as much of that as possible. This type of doll is usually sculpted as a solid piece and then cut apart to make joints for movement. Artists who prefer body work could be easily content to do a figurine fixed unmovable figure but they do jointing as a token recognition of the doll idea. sculpted in I nui by Pat Kolcsar 8 fully jointed figure vrith Suipted shoes Pli-idii by DcirialJ Kiilrs r Some artists are enamored of the idea of human motion. They love the idea of the play of the muscles and tendons and the action of the joints. These artists tend to become immersed in the problems of engineering joints close to the nature of the real human. Some of their results are indeed feats of engineering very close to divine. Most dollmakers who choose to work in polymer or paperclay do so because they like the idea of expressing character. They are more interested in creating a costumed miniature human replica than a dressable play doll. Therefore they do not have a great need to sculpt the whole body. They choose a wire-armatured body so that fine details of character can be expressed through .

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