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The ANTINOEION in VILLA ADRIANA – TIVOLI
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Villa-Lobos’s contact with classical music began at home. His father Raul, the son of Spanish immigrants, was not born to a family from the local elite. However, he was sponsored by Alberto Brandão, then leader of the majority group in the Fluminense Provincial Assembly and founder of a well-respected secondary college in the town of Vassouras. As a result, Raul managed to complete his secondary school studies, which amounted to a rare privilege in the Second Empire (1840-1889) and even during the First Republic (1889-1930). The education received by him at Vassouras enabled what would have otherwise been unimaginable for a child without a wealthy background: access. | The ANTINOEION in VILLA ADRIANA - TIVOLI Short Summary from the chapters 4 and 7 of the catalog Suggestion egizie a Villa Adriana published by Mondadori Electra S.p.A. Milano 2006 Ministero per i Beni e le Attivittà Culturali Dipartimento per i Beni Culturali e Paesaggistici Soprintendenza per i Beni Archeologici del Lazio. Pictures are also from this catalog. The Antinoeion by the double paved way leading to the Grande Vestibolo along the Cento Camerelle. The main entrance to the Temenos opened to this double paved road which could have been used for processions. In this pic the entrance arch remains the paved double road leading to the staircase of the Grande Vestibolo the Cento Camerelle on the left hand side and to the right The ruins of the Antinoeion the Temenos dedicated to Antinous. I This is how the Temenos could have looked like as one entered from the double road. The two face to face temples the Barberini Obelisk between them and at the rear the two Antinous-Telamoni flanking the entrance to the Sanctum Sanctorum of the sanctuary The tomb where the mummy of Antinous rested. The two temples are enclosed except in the front part by a fence of plants and trees. The rest of the floor of the sanctuary was covered by mosaic. The area of the wide exedra is separated from the area where the two temples stand by a water canal interrupted in the central part to give access to the entrance to the tomb. Water a reminder of the Nile played an important role in Roman complexes dedicated to Isis or Serapes. The Temenos - Sanctuary Axonometric view of the Antinoeion. On the plinths flanking the entrance to the tomb stand two columns instead of the two Antinous-Telamoni because it was first thought they had stood on the sides of the main entrance to the sanctuary facing the paved double road but no foundations for such elements was found in that area. II The relief found in Ariccia Museo Nazionale Romano in Palazzo Altemps Rome depicting a scene related to the cult of .