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"Historical Dictionary of Modern Chinese Literature" by Li-hua Ying - Part 49

Historical Dictionary of Modern Chinese Literature 49 presents a broad perspective on the development and history of literature in modern China. This book offers a chronology, introduction, bibliography, and over 300 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Chinese literature. | 452 BIBLIOGRAPHY Golden Sean and John Minford. Yang Lian and the Chinese Tradition. In Howard Goldblatt ed. Worlds Apart Recent Chinese Writing and Its Audiences. Armonk NY M.E. Sharpe 119-37. Holton Brian. Translating Yang Lian. In Yang Lian Where the Sea Stands Still New Poems. Bloodaxe Books 1999 173-191. Lee Mabel. Before Tradition The Book of Changes and Yang Lian s YI Yi and the Affirmation of the Self Through Poetry. In Mabel Lee and A. D. Sy-rokomla-Stefanowska eds. Modernization of the Chinese Past. Sydney Wild Peony 1993 94-106. -----. The Philosophy of the Self and Yang Lian. In Yang Lian Masks and Crocodile. Sydney Wild Peony 1990. Li Xia. Swings and Roundabouts Strategies for Translating Colour Terms in Poetry. Perspectives Studies in Translatology Copenhagen . 5 2 1997 257-66. -----. Poetry Reality and Existence in Yang Lian s Illusion City. Journal of Asian and African Studies Brastislava 4 2 1995 149-65. Yip Wai-lim. Crisis Poetry An Introduction to Yang Lian Jiang He and Misty Poetry. Renditions 23 1985 120-30. Ye Lingfeng Lee Leo Ou-fan. Decadent and Dandy Shao Xunmei and Ye Lingfeng. In Lee Shanghai Modern The Flowering of a New Urban Culture in China 19301945. Cambridge MA Harvard University Press 1999 232-66. Liu Jianmei. Shanghai Variations on Revolution Plus Love. Modern Chinese Literature and Culture 14 1 Spring 2002 51-92. Ye Shengtao Anderson Marsten. The Specular Self Subjective and Mimetic Elements in the Fiction of Ye Shaojun. Modern China 15 1 Jan. 1989 72-101. -----. Lu Xun Ye Shaojun and the Moral Impediments to Realism. In Anderson The Limits of Realism Chinese Fiction in the Revolutionary Period. Berkeley University of California Press 1990 76-118. Hsia C. T. Yeh Shao-chun. In Hsia A History of Modern Chinese Fiction. 2nd ed. New Haven Yale University Press 1971 57-71. Prusek Jaroslav. Yeh Shao-chun and Anton Chekhov. In Prusek The Lyrical and the Epic Studies in Modern Chinese Literature. Bloomington Indiana University Press 1980